Japanese Terms

General Terms| Instructions| Counting| Stances| Blocks| Punches| Kicks| Strikes| Belt Colors| Body| Kata| The 15 Basic, Original, Shotokan Kata's | WKF Referee Terms | Dojo Kun | Formal Bow| Gichin Funakoshi| Dojo Etiquette | Kyoshi Yamazaki| Yasuhiro Konishi

General Terms


Okaigan Big Enlightenment OR Big eye opening (zen meaning)
Yasuhiro Konishi Sr. Founder of Shindo Jinen Ryu. Born 1893-1983 (born in Takamatsu Kagawa, Japan)
Yasuhiro Konishi Jr. 10th Dan. Born May 25, 1931 in Tokyo, Japan Current Chief Inst.
Kiyoshi Yamazaki Born August 16, 1940 in ChibaPrefecture, Japan. Current International Director of the Japan Karate-Do Ryobu-Kai. 7th DanWKF Kumite Referee, WKF Kata Judge, WKF Technical Committee member, member of the USA-NKF technical Committee (for both Kata and Dan testing)
Ryobu-Kan Headquarters In Tokyo, Japan "The House of Martial Arts Excellence"
Shindo Jinen Ryu "Natural Way Karate" or (godly, natural style, complete empty-handed way)
Shotokan House of Shoto/Pine Sea Style
USA-NKF USA National Karate Federation. The National Governing Body for the Sport of Karate in the United States. In 1996 the (USOC) United States Olympic Committee sanctioned the USA-NKF as a member.
WKF World Karate Federation.
Sensei Mary Crawford's Instructors Yasuhiro Konishi Jr..-Sensei Kiyoshi Yamazaki-Sensei
Shuri-Te Old name for the Shotokan Style
Karate Empty Hand
Gichin Funakoshi Founder of Shotokan Karate
Budo Martial Way (to prevent violence
Gashuku The gathering of an entire dojo for training
Do Way
Karate-Do The Way of Karate
Karate-Ka Karate Practitioner
Kata Practice Form
Bunkai Formal application of Kata techniques
OYO The full analysis; multiple applications; alternate meanings
Sensei Teacher
O' Sensei "O" Means "Great"
Sempai Assistant Instructor
Shihan Master Instructor 6th Dan or higher
Ikken Hissatsu To kill with one blow
Osu Used for respect of acknowledgement (only in the dojo)
Ryu Karate Style
Sun-Dome End technique 3cm. Before point of contact
Kiai Spirit Yell
Dojo School or training hall
Obi Belt
Kyu Colored Belt Level
Dan Black Belt Rank
Gi Karate Uniform
Embusen Performance Line of a kata
Kihon Basic Techniques
Jodan Head Level
Chudan Mid-Level/Abdomen
Gedan Low Level/Belt or groin area
Maai Distance
Kumite Sparring
Jiyu Kumite Free style sparring
Ippon Kumite One-Step Sparring
Gohan Kumite Five-Step Sparring
Waza Technique
Reigi Etiquette
Mokuso Deep breathing meditation

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Instructions

Yoi Ready
Rei Bow
Onaji-Waza Same Technique
Keiretsu Line up by rank
Narande Line up
Naore Return to Shizen-tai (ready position)
Hajime Begin
Yame Stop
Yasume Relax
Shomen Ni Rei Bow to the front (of the dojo)
Sensei Ni Rei Bow to the Sensei
Otaigai Ni Rei Bow to one another
Seiza Formal Japanese Sitting Position
Age-te Hands up
Kamae-te Guard up/fighting position
Matte Wait
Migi Right
Hidari Left
Kamae Posture
Mawatte (Kaette) Turn around
Naname 45 Degree Angle
Zenshin Forward
Koshin Backward
Maee Step up
Kaete Switch
Motono ichi Original Position
KI HA KU Projection of Spirit "KI"

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Counting

1 ICHI
2 NI
3 SAN
4 SHI
5 GO
6 ROKU
7 SHICHI
8 HACHI
9 KU
10 JU
11 JU-ICHI
12 JU-NI
13 JU-SAN
14 JU-SHI
15 JU-GO
16 JU-ROKU
17 JU-SHICHI
18 JU-HACHI
19 JU-KU
20 NI-JU

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Stances

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BASIC
Zenkutsu Dachi Front Stance
Kokutsu Dachi Back Stance
Kiba Dachi Straddle Stance
Shiko Dachi Square Stance- Feet point at 45 degree angle
Fudo Dachi Fighting Stance- aka "Rooted Stance"
Musubi Dachi Informal Attention Stance (Heels together-V) (Bowing Stance)
Heisoku Dachi Parralel Attention Stance-Feet together
Hachiji Dachi Ready Stance-Feet Apart (Yoi Position)
Shizen-Tai Dachi Natural Stance-Feet Apart
Gyaku Hanmi Dachi Reverse Half Front Facing Position (Heian Nidan)


ADVANCED
Neko Ashi Dachi Cat Stance
Kosa Dachi Cross Legged Stance
Hangetsu Dachi Wide Hourglass Stance (Hangetsu/Half Moon)
Sanchin Dachi Hourglass Stance
Sochin Dachi Diagonal Straddle Stance
Tsuru Dachi One legged Stance (Gankaku)
Renoji Dachi "L" Stance
Sagi Ashi Dachi Crane Stance (Jitte)

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Blocks



BASIC
Age Uke Rising Block
Gedan Uke Down Block
Soto Ude Uke Outside Forearm Block
Uchi Ude Uke Inside Forearm Block
Shuto Uke Knife Hand Block


ADVANCED
Morote Uke Augmented Block
Juji Uke "X" Block
Gyaku Uke Reverse -Form Block
Yama Uke Mountain Block
Kakiwake Uke Wedge Block
Gedan Shuto Uke Low Knife Hand Block
Teisho Uke Palm Heel Block
Tate Shuto Uke Vertical Knife Hand Block
Haishu Uke Back-Hand Block
Nagashi Uke Sweeping Block (Heian Nidan)
Haiwan Nagashi Uke Back of fore-arm Block (Heian Yodan)
Osae Uke Pressing Block (Heian Godan)
Kake Uke Hooking Block (Heian Godan) (Tekki Shodan)

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Punches

BASIC
Gyaku Zuki Reverse Punch
Kizami Zuki Jab
Oi Zuki Lunge Punch
Ren Zuki Double Punch
San Zuki Triple Punch
Choku Zuki Straight Punch


ADVANCED
Oi Gyaku Zuki Lunging Reverse Punch
Kage Zuki Hook Punch (Heian Godan)
Morote Zuki Two Hand Punch
Yama Zuki "U" Punch
Tate Zuki Vertical Punch (Heian Nidan)
Nagashi Zuki Flowing Punch (Heian Godan)
Ippon Ken Zuki Single-Point Fist Punch (Hangetsu)
Hasami Zuki Scissors Punch (Chinte)
Nakadate Zuki Middle Finger Punch (Chinte)

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Kicks

BASIC
Mae Geri Keage Front Snap Kick
Mae Geri Kekome Front Thurst Kick
Mawashi Geri Roundhouse Kick
Yoko Geri Keage Side Snap Kick
Yoko Geri Kekome Side Thrust Kick
Ushiro Geri Back Thrust Kick


ADVANCED
Nidan Geri Double Kick
Fumikomi Geri Stomping Kick
Soto Mikazuki Geri Outside crescent Kick
Uchi Mikazuki Geri Inside Crescent Kick
Gyaku Mawashi Geri Reverse Round Kick
Mae Tobi Geri Flying Front Kick
Yoko Tobi Geri Flying Side Kick
Mawashi Tobi Geri Flying Round Kick
Ono Geri Axe Kick
Ashi Barai Sweep
Hiza Geri Knee Kick/Strike
Nami Ashi Geri Returning Wave Kick (Tekki)

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Strikes


Mae Empi Uchi Front Elbow Strike
Mawashi Empi Uchi Round Elbow Strike
Yoko Empi Uchi Side Elbow Strike
Otoshi Empi Uchi Downward Elbow Strike
Ippon Nukite Single Finger Strike
Nihon Nukite Two Finger Strike (fork to the eyes)
Shihon Nukite Four Point Spear Strike
Haito Uchi Ridge Hand Strike
Uchi Haito Uchi nside Ridge Hand Strike
Hiza Uchi Knee Strike
Kumade Uchi Bear Claw Strike
Tettsui Uchi Hammer Fist Strike
Tiesho Uchi Palm Heel Strike
Uraken Uchi Back Fist Strike
Soto Shuto Uchi Outside Knife-Hand Strike
Uchi Shuto Uchi Inside Knife-Hand Strike
Hiraken Uchi Fore-Knuckle Strike
Ippon Ken Uchi One Knuckle Strike (Chinte)
Washide Uchi Eagle-beak Hand Strike
Haishu Uchi Back Hand Strike
Seiryuto Uchi Ox-jaw Hand Strike (Empi)

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Belt Colors


White Shiro
Yellow Kiiro
Gold Kin
Orange Orange
Green Midori
Blue Ao
Purple Murasaki
Aka Red (Also used in Tournament Kumite)
Brown Chairo
Black Kuro
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Body


Ashi Leg
Atama Head
Kata Shoulder
Kyosen/Suigetsu Solar Plexus/Bottom of Sternum
Koshi Hip
Wan Arm
Haisoku Top of the Foot
Kakato Heel of the Foot
Koshi Ball of the Foot
Ensho Back of the Heel
Tekubi Wrist
Tate Ken Vertical Fist
Ken Fist
Seiken Fore-Fist
Sokuto Knife edge of the Foot
Ude Forearm
Higi/Empi Elbow
Te Hand
Kaishu Open-Handed
Haishu Back of Hand
Hiza/Hitsui Knee
Koshi no Kaiten Hip Rotation

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Kata


Taikyoku -Shodan, Nidan, Sandan First Cause - Level 1,2,3
Heian- Shodan, Nidan, Sandan, Yodan, Godan Long lasting peace. "Hei " is peace and "an" is stable, safe, or relief. Sensei Anko Itosu created these kata's and named them Heian - Level 1,2,3,4,5
Tekki Shodan Iron Knight - First level
Bassai-Dai To Penetrate a Fortress
Jion A Buddest Temple in China; Compassion
Empi The Flight of the Swallow
Hangetsu Half Moon
Kanku-Sho Look to the Void; To View the Heavens
Tekki Nidan Iron Knight - Second Level
Bassai-Sho To Penetrate a Fortress
Chinte Extraordinary Hands
Jitte Ten Hands
Nijushiho Twenty-Four Steps
Gankaku Crane on a Rock
Jiin In the Shade of Compassion. "JI" means compassion and "IN" means in the shadow or shade
Sochin To Keep the Peace
Gojushiho-Sho Fifty-Four Step (or directions)
Gojoshiho-Dai Fifty-Four Step (or directions)
Unsu Cloud Hands
Meikyo Bright Mirror or Clear Mirror
Wankan King's Crown
Sho Lesser, Minor
Dai Greater, Major
Shorin Speed, Swiftness
Shorei Power, Strong

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The 15 Basic, Original, Shotokan Kata's

Gichin Funakoshi, in 1922, brought this kata to Japan. The main value of each kata is expressed.
Heian Shodan Front Stance, back stance, stepping patterns, lunge punch
Heian Nidan Front kick, side kick while changing directions
Heian Sandan Body connections in forearm blocking, back-fist strike
Heian Yodan Balance and variation in technique
Heian Godan Balance and jumping
Tekki Shodan Straddle leg stance-hip vibration
Tekki Nidan Grasping and hooking blocks
Tekki Sandan Continuous middle level blocking
Bassai-Dai Changing disadvantage into advantage by use of switching blocks and differing degrees of power
Kanku-Dai Variation in fast and slow techniques, jumping
Jion Turning, shifting, variations in stepping patterns
Jutte Powerful hip action, use of the staff
Empi Fast slow movements, high and low body positions, reversal of body positions
Hangetsu Inside tension stance, coordination of breathing with stepping, blocking and punching; circular arm and leg movements
Gankaku Balancing on one leg; side kick; back fist strike

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WKF Referee Terms


Shobu Hajime Start the match or bout
Yame Stop
Tsuzukete Fight on (unauthorized Interruption)
Tsuzukete Hajime Resume Fighting, Begin!
Shugo Judges Called
Hantei Judgement;Decision
Hikiwake Draw
Torimasen Unacceptable as a scoring techniques
Aiuchi Simultaneous Scoring technique
Aka (Shiro) No Kachi Red (Blue) wins
Aka (Shiro) Sanbon Red (Blue) scores three points
Aka (Shiro) Nihon Red (Blue) scores two points
Aka (Shiro) Ippon Red (Blue) scores one points
Chukoku First category warning I or category II warning with out penalty
Keikoku Warning with Ippon penalty
Hansoku-Chui Warning with Nihon penalty
Hansoku Disqualification
Jogai Exit from the match area
Shikkaku Disqualification
Kiken Renunciation
Mubobi Self Endangerment
Mienai Did not see
Uke-te Blocked
Atoshi Baraku a little more time left
Moto No Ichi Original Position
Encho-Sen Extension of the bout
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Dojo Kun

The Five Precepts of the dojo-Kun encodes the moral essence of the study of karate, which serves to balance the physical aspect of the sport. It is thus elevated the level of being simply a method of ritualized violence or a modern competitive sport. It is thought that to ignore these moral goals would eventually lead to negative consequences for both the karate-ka and karate as a whole.

Dojo Kun
SEEK PERFECTION OF CHARACTER
DEFEND THE PATH OF TRUTH
ENDEAVOR TO EXCEL
DISPLAY COURTESY
REFRAIN FROM VIOLENT BEHAVIOR
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Formal Bow

KNEELING IN SEIZA Place your left knee on the floor, then the right knee. Sit down on your feet. The toes overlap (either one on top) Keep your back straight and shoulders relaxed. Rest each hand on your thighs (fingers together).
BOWING IN SEIZA Slide your left hand to the floor first, in front of your knee, then do the same with your right. (Palms touching the floor). Bow at the waist, the forehead comes close to the floor but does not touch. When you sit back up place your left hand on your left thigh first then your right.
FORMAL BOW-Beginning of Class The Senior student or Sensei will call out "Narande" or line up. Students stand shoulder to shoulder, even lines, facing the front of the dojo in belt order. The senior student calls out "Seiza" The senior student calls out "Mokusou" (meditation-lower head/and or close eyes) The senior student calls out "Mokusou yame" The senior student calls out " Shomen ni rei" (Bow to the front of the room) The senior student calls out " Sensei ni rei" (Bow to the sensei) (When bowing to sensei you may say, "onegaishimas" translates to Please teach me/please hold class) or you may say, "Osu")
FORMAL BOW-Ending of Class Same as opening except after mediation ends "Mokusou yame" the class recites the DOJO KUN. Also when you bow to the Sensei you may say, "arigatoh gozaimas" which means, Thank you.

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Gichin Funakoshi

SHIHAN GICHIN FUNAKOSHI Shihan Gichin Funakoshi Born in Shuri, Okinawan Prefecture 1868-April, 1957 The Okinawan Prefecture is located South of Japan and was formerly known as the Kingdom of the Ryukyus. Shihan Gichin Funakoshi's Instructors *Yasutsune Azato *Yasutsune "Anko" Itosu *Matsumura Sokon Shihan Gichin Funakoshi's son *Gigo Funakoshi Karate was first introduced to the public, in Japan, in 1902.

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Dojo Etiquette

The karate dojo is a formal place to practice karate. It is important to respect the environment, its surroundings, and fellow karatekas.

  • Bow before entering and exiting the dojo. It is also polite to bow when addressing the Sensei, a senior ranking student, and when beginning practice with another student.
  • Have respect for other students and the people instructing.
  • No talking during class.
  • No running in the dojo.
  • Gum chewing or food is not allowed in the dojo.
  • All students 1st blue and above must wear a karate gi. The gi should be clean with no holes, stains, etc. Students may wear a black gi to class; however, black uniforms are not allowed during testing, tournaments and demonstrations.
  • Students should be bare foot during class, unless they have some type of foot problem that requires them to wear shoes. Please advise the Sensei as to the nature of your problem and agree on the proper type of shoe to wear.
  • Hats, sun glasses, bracelets, watches, long earrings, rings, or necklaces are not allowed during practice. This is for the safety of the student, other students, and prevents damage to the articles mentioned. A watch may be worn looped around your belt, if you want to risk it. We prefer no headbands; however, if you need one to absorb sweat, a small, white, cotton headband that slips over the head with no ties is permitted.
  • Keep finger and toe nails trimmed for your safety and the safety of others.
  • Never wash a karate belt; this is disrespectful. A belt should fade with time, not with the washing machine.

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Kyoshi Yamazaki

Kiyoshi Yamazaki Sensei, the son of a kendo teacher, was born in the Chiba Prefecture, Japan, on August 16, 1940. His martial arts training began during his childhood days under his father. In 1956, he joined Konishi Sensei's Ryobu-Kan. He received his first teaching license for karate in 1962. In the same year he had extensive kobudo training with Shugoro Nakazato, the current grand master of Kobayashi Shorin-Ryu, in Okinawa. He attended Senshu University and joined the Shotokai organization there, under the instruction of Hironishi Motonobu, a student of Funakoshi Sensei. During his university days, Kiyoshi Yamazaki continued to train with Konishi Sensei as often as possible.

After graduating from Senshu University in 1964 with a degree in Economics, he continued to train at the Ryobu-Kan. He trained so often under Konishi Sensei that eventually asked to assist Konishi Sensei in demonstrations and seminars world wide. During these trips, Yamazaki met many prominent instructors in the martial arts, including Koga Ryu Ninja 13th headmaster Seiko Fujita, Kobayashi Shrorin-Ryu master Chibana Chosin, and the heads of Nanban Sato Ryu, Mr. So and Mr. Chin.

Yamazaki Sensei moved to the United States in 1969. He first started teaching at Citrus College in Azusa, California. He later opened a dojo in Anaheim, Califronia and partiipated in karate demonstrations with Fumio Demura at the Japanese Village and Deer Park in Buena Park, California.

Today, in addition to teaching at his dojo in Anaheim, he maintains a very busy schedule promoting the philosophy of Shindo Jinen Ryu and supervising and developing all the schools of Japan Karate-Do Ryobu-Kai outside Japan. In addition to karate and kobudo, Yamazaki Sensei Is an accomplished exponent in Iaido in the traditions of Omori-Ryu and Kashima Shinto-Ryu.

Yamazaki Sensei is the current chairman of the USA-National Karate Do Federation's technical Committee. He is also a technical committee member of the World Karate Federation (WKF). As an official with WKF, he travels the world assisting in the coordination of Karate as a future event in the Olympics.

His expertise in the martial arts has attracted producers in Hollywood; he has served as a technical advisor, instructor, and even acted in several movies. His celebrity students include Steven Seagal, Arnold Schwarzenegger, Sting, Richard Hatch, Sandal Bergman, Wilt Chamberlain, Bridget Nelson, Grace Jones, and Dennis Quaid. The most recent credit in the big screen is the movie "Dragon Heart".


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Yasuhiro Konishi

Shindo Jinen Ryu was founded by Yasuhiro Konishi, who was born in 1893 in Takamatsu, Kagawa, Japan. Konishi Sensei began his martial arts training at age 6 in Muso Ryu Jujitsu. When he entered the equivalent of a western high school, he began training in Takenouchi Ryu jujitsu. This particular jujitsu style is known for its strong kicks and punches, very similar to karate. At age 13, while practicing jujitsu, Konishi Sensei began studying kendo as well. In 1915, he commenced studies at Keio University in Tokyo. While average tenure at university is four years, Konishi Sensei remained at Keio University for eight years because of his love for kendo and jujitsu. He was Keio University's kendo team captain, and continued coaching the university's kendo club after his graduation.
Konishi Sensei's first exposure to "Te" (which later developed into karate) was through a fellow classmate at Keio University, Tsuneshige Arakaki of Okinawa. Konishi Sensei found the techniques of "Te" (as referred to by Arakaki) very similar to those of Takeuchi Ryu jujitsu. Though Arakaki was in no way a master of "Te", Konishi Sensei found the system to be very intriguing.
After graduating from the University, he became a salary man. However, he was not completely satisfied with his occupation. With encouragement from his wife, he quit his job and opened his own martial arts center in 1923 and called it the Ryobu-Kan ("The House of Martial Arts Excellence"), teaching mainly kendo and jujitsu.
In September, 1924, Hironishi Ohtsuka, the founder of the Wado-Ryu style of karate, and Gichin Funakoshi, the founder of Shotokan karate, came to the kendo training hall at Keio University. They approached Konishi Sensei with a letter of introduction from Professor Kasuya of Keio University. Mr. Funakoshi asked if it would be possible to use the training hall to practice Ryukyu Kempo To-te jutsu. During this era, it was unheard of for one martial arts school to allow a martial arts teacher from another system to teach in their dojo. Such a request would be considered a "challenge" to the dojo. Konishi Sensei, however, was a visionary in the sense that he saw value in cross-training; he remembered the kata demonstrated during his university days by Arakaki, and he agreed to Funakoshi Sensei's request.
With Konishi Sensei's help, Funakoshi established a To-te practice club at Keio University (the first university karate club in Japan). Konishi Sensei, Funakoshi Sensei, and Ohtsuka Sensei were the principal instructors. Konishi Sensei continued to instruct a curriculum consisting of kendo, jujitsu, and western boxing at the Ryobu-Kan. Karate-jutsu was born when Funakoshi Sensei added karate to this mix. As yet, no names were applied to the emerging styles.
Groups that practiced a pure form of jujitsu did not think highly of karate, and challenged Funakoshi Sensei. However, under Japanese budo, one does not initially challenge the Master of a particular school or style; a challenge is first issued to the senior student. If the challenger defeats the senior student, then he can challenge the Master. If the challenger defeats the Master, he can take the dojo sign as a trophy - a very embarrassing situation for the defeated dojo, and one never experienced by Ryobu-Kan. All challengers of karate were defeated by Konishi Sensei and Ohtsuka Sensei, as Funakoshi's senior students.
After a challenge had been met, Funakoshi Sensei would explain karate-jutsu, and highlight the mental and spiritual benefits of the style. Many listeners understood and agreed to the point that they switched styles to study karate.
During this time, there was an ongoing philosophical debate among martial artists as to the definition of budo. Some believed budo required the death of the opponent; others, that budo meant supporting or educating the opponent in the proper ways. Funakoshi Sensei always taught budo as technique and education. Konishi Sensei especially believed "Bu bun ryo do", translated as "For karate to be perfect, it cannot be just technique, but also education." As technique disciplines the body, education should discipline the mind. Thus Konishi Sensei believed that Budo involves educating the opponent.
Over time, three major changes occurred in Funakoshi's original karate teachings. First, because karate was introduced to the Japanese physical education program at the elementary school level, Funakoshi Sensei assigned Japanese names to replace the Okinawan names of the various kata, making karate easier to learn.
The second change was the addition of ippon kumite to karate training. At first, karate training was primarily the practice of kata. Konishi Sensei contended that training in kata alone was not sufficient to develop the whole person. Other forms of "Do", such as kendo and Judo, had training methods that included application of techniques with partners. Konishi Sensei and Ohtsuka Sensei added ippon kumite to the training regimen.
The third major change occurred in the kanji of "karate". The original kanji used to write "karate" meant "Chinese hand", indicating the source of the techniques. In 1929, teachers and students in the Keio University's Karate Research Group discussed the translation of the kanji for karate, and agreed to change the kanji of "karate" to mean "Empty Hand". They contend that this new kanji was a better representation of what karate had developed into. This change was adopted over the protests of many Okinawans, but remains the accepted translation to this day.
Karate gradually became more popular and many masters from Okinawa began to visit Japan. Because of Konishi Sensei's open-mindedness, many well-known budoka visited Ryobu-Kan during this era, exchanging techniques. Among them were: Kenwa Mabuni (founder of Shito-Ryu Karate), Chojun Miyagi (founder of Goju-Ryu Karate), and Choki Motobu. These three masters influenced Konishi Sensei in various ways and made definitive contributions to Konishi Sensei's emerging style.
Konishi Sensei considered Choki Motobu to be a martial arts genius and made every effort to train with him. Motobu Sensei's specialty was the Naifanchin kata. As a teacher, he knew many kata, but would only teach them when his student had mastered Naifanchin. Through training in this kata he became famous for scooping his opponent's leg. Although physically a big man, Mr. Motobu was very light on his feet, which may be the reason why he was so successful in challenging other martial artists to kumite. His teaching to Konishi Sensei emphasized footwork and the use of Ki. Motobu Sensei didn't speak Japanese very well, and relied on friends to translate for him when he taught. He was not wealthy and had difficulty supporting himself during his visits to Japan. Konishi Sensei organized the Choki Motobu Support Society and arranged for seminars and training sessions at which Motobu Sensei was able to collect fees. Konishi Sensei accompanied Motobu Sensei to many training sessions in order to assist him in explaining the concepts and techniques of karate.
Chojun Miyagi by all accounts did not talk very much. He was famous for his big hands and his teisho uchi (palm strike), and was noted for grabbing and pulling very strongly. Though Konishi Sensei did not train with Miyagi Sensei as much as with other karate masters, Miyagi Sensei did impact Konishi Sensei's knowledge of karate by presenting Konishi Sensei with an original manuscript, An Outline of Karate-Do, dated March 23, 1934. This document has only recently been translated into English and is now available world-wide.
Konishi Sensei trained extensively with Kenwa Mabuni, the founder of Shito-Ryu. Mabuni Sensei resided at Konishi Sensei's house for about ten months from 1927-28. They became very close friends. Mabuni Sensei was celebrated for the wide number of kata which he knew and performed with great elegance and calm. Konishi Sensei developed the kata Seiryu in collaboration with Mabuni Sensei. Kenwa Mabuni's influence in Shindo Jinen Ryu is evident in the kata syllabus of Ryobu-Kai.


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USA-National Karate-Do Federation